Auras seem to be artifacts of our interactions with all of the rest of creation to manifest what we need in our world. Auras are a sort of visual answer to comprehending the negotiation or mediation processes between our conscious, subconscious and unconscious desires and our collective super-consciousness that is our link with creation whereby all our dreams are made manifest.
When we pray, meditate or day dream our Aura colors become a little more highly charged and we may discover our prayers have been answered, our thoughts have turned into reality, or our dreams have come true. We quite often attribute this sort of experience to coincidence but those in our midst who are familiar with the belief that people create our very own reality understand that this is simply not coincidence; instead, those individuals know that this really is our natural ability to directly manipulate reality, which our company is developing on a level of our conscious awareness using our thoughts and feelings to help ourselves.
You will find a real interaction occurring between us and also the world around us over a subtle level that could be perceived by developing the talent to view auras. Everyone has this talent; it is an innate element of who and what we should are. However, developing this talent to a degree where we could consciously perceive and study auras may take just a little work. By imagining we already are able to do that we can open how you can actually develop this talent into a useful tool in our lives. While imagination may be our initial step with this journey, our journey continues beyond the limits of our imagination and may manifest in a very real talent that can help us to perceive the world around ourselves more clearly and to change this world more deliberately.
I realize that auras appear as colors that move about and in a subject. With any given subject there seem to be many associated colors, usually there are several particular colors which seem to be dominant. The colors as well as their forms and motions often improvement in response to my thoughts or the thoughts of my subject as I am studying them. The interactions of my thoughts with the colors of my subject’s aura help me to begin with to develop a concept of what is happening within my subject’s life and what they may need to learn.
Typically I actually have preferred to sketch a portrait of my subject on a roughly textured neutral gray paper with colored pastel pencils. Drawing the actual form of my subject’s face takes about 5 minutes to create a light sketch, meanwhile the action of drawing really helps to move me into a more meditative, receptive mind-set in which the colors commence to become clearer.
If no dominant colors or patterns are apparent then I consider each of the colors to be able from red to purple/red in a number of repetitious cycles until I sense a harmony to particular colors begin to emerge. (A set of color flash cards or perhaps a color wheel can be a useful tool for this specific purpose.)
Because the what color is my aura are moving I must observe them for patterns and intensities and then render a montage from the themes I see so the most striking or important parts are portrayed.
I talk to my subject because i sketch, making suggestions that return responses within my subject’s aura which will help me to unravel the meanings in the colors and what is most probably transpiring in my subject’s life that is being displayed in the aura.
Dark or clouded parts of a feeling typically represent secrets or information my subject is repressing. Often these are generally things my subject is painfully aware of or possibly is attempting to deny.
Light, bright or shining parts of a feeling indicate well-being and balance. Sparkling parts represent an anticipation of imminent events.
It is actually possible to begin to see the influences of some other person upon my subject as my subject targets that person; it could then be apparent what role that other person plays and whether or not they can help or hinder my subject particularly ways.
Like any psychic practice, your reader should always take into account their very own state of being and should be careful not to project details of their very own life into the reading provided to an issue.
My paper tablet becomes a special window for me. On one side I contain myself in order to not contaminate what I see through my window. The lifestyle of my subject appears to me through my paper tablet. The window of my paper tablet assists me in maintaining the main objective of my reading upon my subject while inhibiting me from interjecting a reading personally to the process.
Should you be not artistically adept you could still use the paper tablet and colored pencils, instead of striving to produce a likeness of your own subject’s physical features dispense with the portrait preamble and instead doodle when you study your subject up until the inspiration comes to begin reading their aura.
My own favorite blend of colors is Green and Purple. These two colors in combination represent Art within the Magick sense and inventive activities such as writing or painting inside the more mundane aspect. Typically this color combination is accented with Gold or Yellow. This is the property by which the Art or art speaks to us, transforming us.
The opportunity of Art (Magick) within the act of drawing a portrait is extremely strong. Your reader may serve as a healer and might try to downplay a theme which may be related to pain or suffering while playing up themes of happiness and spiritual advancement. But it is necessary to guide the subject when applying any Art, for the lesson from the pending hardship may be needed by the subject as well as the lesson must still manifest within their life in a few form. Typically this kind of lesson is replayed repeatedly in a subjects life; so instruction could be drawn off their past, such that they may finally ‘get it’ and dispense with the need for many further repetitions of a lesson which might become potentially harmful or unpleasant in nature.
The effective use of Art rarely prevents the following cycle with this repetitious lesson from playing out, however it may ameliorate the following cycle for some great or small degree and the subject might be better able to study from the following repetition of their lesson in the event the reader has properly prepared those to perceive and understand their lesson.
To start your own exploration of auras get some good crayons and some rough neutral paper. The backs of brown paper bags are extremely beneficial to this. You can use photographs, objects around your home, pets, plants or nljsii when your subject. White and black photographs are particularly great for this sort of exercise. Place your subject against a neutral background including an empty white wall. Study your subject round the edges, if it is a person, pay particular attention to the crown chakra where the energy channel is frequently strongest. (You may even try directly observing a subject’s chakras.)
Personally, I discover the edges of any subject’s profile are the best places to begin with seeing the interplay of colored light that emanates from the inside them. If you think the truth is nothing, then imagine what you believe you may find out if you might see auras. Take notes using the colored pencils and then try to associate your ideas with the Chakra colors when you take notes. This can be done by simply utilizing the color crayon that seems most appropriate to you personally to create your feelings with. You are not required to organize your perceptions in the form of a picture. Sometimes a thought may have one strong color and lots of associated colors. It is possible to loosely overwrite whatever you decide to have written with the exact same words in a different color if this seems appropriate, or you might find new words emerge while you pick a new color in association with something you have already written or drawn.
Just allow this to take place; don’t get too involved in how you will do this or what you might like to know about a topic. Instead, open your heart and mind to each and every tiniest thought and feeling and follow these wherever they could lead you.