All of us could be players on the world stage, still the question remains why we reveal the psychological responses to the happenings depicted from the fiction, whether in print or visual presentation, just like in real life? Just like dreams our imaginations get presented to us over the mental screen as though we were watching television or movies. And as in dreams the actual world becomes supplanted by the virtual world although we are fully alert. That world has great resemblance to the real one and what happening in it seems real as a result of something changing in our cognition school. But the mechanism that activates our emotional responses remains unchanged and therefore we respond to the fiction in precisely the exact same manner as in real life.
Here we have some similarity with the virtual reality of the modern computer technologies, which can be an artificial environment created by software. It’s introduced to the audience in this manner in which the individual temporarily suspends own belief pattern and takes it as a real atmosphere. In ways it isn’t different from the phenomenon of being hauled to the imagined universe of fiction, except the computer doing the job is in mind and we don’t have any clue regarding what is the software and who’s the programmer.
This brings us into the reason for psychological reaction itself. In respect to fiction that the most frequent emotions are likes and dislikes that may turn into their more powerful types of hate and love. In real life we love or hate someone because of a few attachment through kinship, friendship, or even through indirect knowledge of the individual. One cannot love or hate a person one does not know at all. Attachment can also be to other living beings, material things, and to fanciful things. We love or hate a story or even an idea. For an ordinary person it’s not possible to live unattached to things in the world. If a person can get rid of attachment, one joins the rank of enlightened souls who are indeed rare. We carry our capacity and desire for affection into the fanciful world of fiction. We see the characters that we come to understand as the story progresses, form our preferences, and respond in the identical manner like in real life except we cannot socialize with them physically. But we do socialize with them in our minds and hearts from where the feelings come. While this is all relevant to your discovery, a few items about go to my blog hold more weight than others. Do take a close look at what you require, and then make a determination concerning how much different things apply to you. We really are just getting started here, and hopefully you will be thrilled about what more is in store. The final half of the article will offer you a lot more solid info about this. We think you will find them highly relevant to your overall goals, plus there is even more.
The fact is that in a certain sense itself is fiction. Just like a narrative it’s a beginning, an end, and also plenty of stuff in between. We don’t know who writes this fiction nor will ever know. Thus we have an inborn affinity with fiction and cannot completely detach ourselves from it. And perhaps that is why, while reading or viewing fiction we get lost in the wonderland of creativity, but for this short period we operate exactly in the same way as we want in the real world of our understanding. In that sense fiction is simply invented reality.
Theme is why fiction things, since it is the quality that gives the story a universal appeal. Some state motif is exactly what the story is about, but that’s too ephemeral a definition, which may get confused with the idea or the plot.
Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract concept behind the narrative forming the story’s heart and soul that the exposition, dialogue, and action reflect every chance they get.
Theme is not the characters or the storyline or the original idea that started the story. By way of example, a writer may begin with the idea of exploring family relationships between women, but as his story progresses, his subject may appear as understanding and forgiveness between different generations of guys. There are some topics on which it is very hard to write any kind of story.
Theme is implied, sometimes without the author’s understanding of it at the beginning; however, more seasoned authors usually work on their subject harder than any other part of the story as soon as they catch on to what it is they are writing about.
In non-fiction, the author is advised to hone into his theme and start referring to it at the first paragraph. In fiction, on the other hand, the theme generally blossoms through the writing as the story progresses.